UTOPIA & NATURE
Based on H.D. Thoreau's “Walden

EXPERIMENTATION AND RESEARCH IN CONTEMPORARY
ARTISTIC
PRACTICES



Utopia as an expression of unlimited imagination and desire is a concept that has always fascinated artists. Art can see in utopia a means to lift the restrictions of reality and accomplish the free expression of its visions. Starting from this connection and its various instantiations in the history of art, this workshop deals with the multiple significations, implications and dimensions of utopia. In everyday discourse the term ‘utopia’ is usually connected with an ideal future, with what seems impossible within the confines of reality, and is thus bound to create margins for many and often contradictory interpretations. Utopias are the places of dreams and hopes for a better life, which provide an escape from an always incomplete and constraining status quo. Sometimes they involve grandiose metaphysical schemata, other times they take the form of ephemeral shelters distanced from detailed sociopolitical reflection. Always, however, their creation is based on the criticism of established (political and aesthetical) institutions and social structures. Inspiring antithetical political and artistic practices, praised but also criticized, utopia has been a focus of debate for many disciplines and approaches. By blending theoretical discussion, aesthetic reflection and the artistic work of the participants, this workshop aims at critically exploring the various interconnections between theory and praxis, vision and reality, desire and finitude, utopia and dystopia.
In this workshop we will research methods and tactics and we will ask from the students to collect material or to archive material that they already have and reconsider it, to think alternative ways of presentation of materials, ways of incorporation of them in their pictorial language. The aim of the workshop is to exhibit the results of this research, the ideas or the work that will come out of it.

This year’s workshop investigates the relationship between contemporary artistic practices and the natural environment. Art is often seen and spoken in terms of being environmental, critical and subversive. For the past decades, the natural environment has seen radical changes and has been at the forefront of many contemporary art projects. What is the relationship between art and nature? During the workshop, we will consider different ideas in contemporary art making and theory to examine from varying perspectives the question of art and nature.


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ASFA (Athens School of Fine Arts)

Organizers-Facilitators: Vassilis Vlastaras, artist, Lecturer, Athens School of Fine Arts and Maria Glyka, visual artist, teacher BA & MA Vakalo college of Art and Design.

ASFA annex
Evligia Hill, Rethymno

Basic timetable:
4 July: arrivals
5 July – 7 July: artists presentations
8 - 20 July: preparation of the work
21-23 July: show and presentations of final works
24 July: end of show – departures

Number of participants: 11

In collaboration with:
Mr. Gary Woodley, artist and lecturer at the Slade School of Fine Art, UCL.
Mr. Klaas Hoek, artist, head of the postgraduate department of University of Utrecht and head of the printmaking of the Slade School of Fine Art, UCL.

Guests Professors and artists:

Mrs Caroline de Lannoy , artist and lecturer at the Slade School of Fine Art, Byam Shaw School of Art, Central St Martins College of Art - University of the Arts London, and West Dean College.
Mr. Jim Hobs, visual artist.
Dr.Yannis Stavrakakis, associate Professor of Political Sciences of the Aristotle University of Thessalonica,
Dr. Fay Zika, Assistant Professor of Philosophy and Theory of Art Department of Theory and History of Art The Athens School of Fine Arts
Mrs. Katerina Gouziouli, art theorist.


Thursday, August 12, 2010

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UTOPIANS 2010

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